What is TheeAe?                                                                                                                       TheeAe is abbreviation of the evolved architectural eclectic. Its name is an idea and dedication to create contextual architecture. Hence, our goal has been always the idea to bring newness from the past that will bring comfort and freshness. Beauty is a characteristic of an animal, idea, object, person or place that provides a perceptual experience of pleasure or satisfaction. Beauty is studied as part of aesthetics, culture, social psychology and sociology. An "ideal beauty" is an entity which is admired, or possesses features widely attributed to beauty in a particular culture, for perfection. The experience of "beauty" often involves an interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well- being. Because this can be a subjective experience, it is often said that "beauty is in the eye of the beholder. There is evidence that perceptions of beauty are evolutionarily determined, that things, aspects of people and landscapes considered beautiful are typically found in situations likely to give enhanced survival of the perceiving human's genes The sense of beauty is related to nature which is embedded into our conscience and mainly we learn from our life time environment around us. The beauty is always relative yet we have common ground that we would agree ‘it is good’. The architectural beauty is not different from it. It is like native ingredient that would never be found in other places. It is a native plant grown in the region.  Furthermore, it is our history that is connected to cultural & surrounding environment.   ……………… Likewise, the beauty we seek will ultimately bring mutual understanding of past and future.  Its interpretation enhances the existing context. It is to make the memory of the past and the current culture into the city. The perception and recognition from ones’ experience will relate to the beauty of the new architecture Hence past is evolved to bring newness to present.
Good & Best design is by our nature to pursue for the better environment
At result, we believe our architectural design will FIND THE VALUE OF WHAT LIES IN OUR SURROUNDINGS THAT ENRICH OUR LIVES. Our design will evolve. It will be easily mingled into existings yet creating the newness as the old has been evolved.  Our understanding of environment is to know more about people and their lives. Furthermore, making an effort to find contextual beaty in desinging will ultimately bring suitable outcome to benifit us.
THE CREATIVITY IS THE ABILITY TO INTRODUCE ORDER INTO THE RANDOMNESS OF NATURE  - PHILOSOPHER ERIC HOFFER
What is Eclectic? THE CONCEPT OF A BEAUTIFUL ENVIRONMENT ENCOMPASSES NUMEROUS FACTORS.   People try to develop these environments in cities based on theories of what used to be, what is, and what is to come. They see the city for what it was and for what it is. They become accustomed to the city as it exists in the present moment. They rarely argue about why the city looks the way it does, nor do they complain. They struggle to make their livings.  They just pass by the buildings when they are heading home without really noticing them. When they are home and free to enjoy themselves, they want to share their lives happily with friends, not talk about architecture. HOWEVER, the lives shared by architects with each other is another matter. The nondescript nature of most cityscapes is not what architects desire, but just the opposite. There is joy in what one creates, however much it may be ignored by passersby.  “No one is more surprised by, or feels greater joy of discovery in the building that is erected,” Tadao says, “ than the architects. ” Architects want people to understand their buildings. They want to design something new, something different from the old, from the past. They want to test their theories about what might be good for people. Whether radical or conservative, for the sake of better cities and better architecture, better culture and better art, architects desire to make our cities more livable, by means of modern technology, and sometimes in spite of it. WITH TECHNOLOGY, THERE HAVE BEEN BOTH GOOD AND BAD OUTCOMES. When engineers developed the elevator, for example, architects could then design taller and taller buildings, high-rises, skyscrapers. This was convenient, especially in cities where land was especially scarce, but it produced some ill-effects as well:  people rode the elevators, got fat, developed pulmonary and heart diseases, and died before their time. THE USE of concrete and steel allows us to create broad and high spaces, but when we want to rebuild, we are faced with a whole new set of considerations: the huge amounts of trash and debris left behind after destroying them. Always, we are trying to do the right thing and make something that is good, but no one knows really and definitively what it means to be really right or good. THE CITY, it describes, with its courtyards and infinite number of small, airy, well-lit rooms, has already a beauty of its own. Even if it seems to be old, it sees the beauty of the past. Even though it seems to be too radical, it understands the beauty of the future. PEOPLE CREATES THEIR OWN CULTURE. They create their life in architecture beyond architects’ expectation about how the space might be used. But when we design a new building involving new physical shapes and materials defining new boundaries that color and shape people’s behavior, these people need to have time to adjust to the new architecture. The boundaries I have in mind are not only physical boundaries-buildings, streets, rooms, walls, bridges, etc. but emotional boundaries as well. WHEN for political reasons, or reasons that have to do with the security of the state, or even the safety of the individual in areas of criminal activity, curfews prohibit access to the larger world, even within the warm and friendly confines of one’s own house, one feels that the boundaries are quite overpowering and intimidating.  When a boundary of space is created, whether physical or emotional, people need time to accustom themselves to the boundary and become a part of it. Then the space becomes our tradition or memory. IN a relative way, memory of the space would define the quality of space as people would get their story of life through urban and architecture. The eclectic space is impartial. It respects their memories, emotions and habits. ‘The evolved Architectural eclectic’ would pursue the eclectic space through means of metamorphic boundaries for people to experience the variable spaces experiencing their lives to tell the present with their intact memory in the past.   
© 2017  TheeAe LTD. All rights reserved.
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At result, we believe our architectural design will FIND THE VALUE OF WHAT LIES IN OUR SURROUNDINGS THAT ENRICH OUR LIVES. Our design will evolve. It will be easily mingled into existings yet creating the newness as the old has been evolved.  Our understanding of environment is to know more about people and their lives. Furthermore, making an effort to find contextual beaty in desinging will ultimately bring suitable outcome to benifit us.
THE CREATIVITY IS THE ABILITY TO INTRODUCE ORDER INTO THE RANDOMNESS OF NATURE  - PHILOSOPHER ERIC HOFFER
© 2017 TheeAe LTD. All rights reserved.
We are Architectural & Interior Design Firm in Hong Kong. TheeAe is abbreviation of the evolved architectural eclectic. Its name is an idea and dedication to create contextual architecture. Hence, our goal has been always the idea to bring newness from the past that will bring comfort and freshness.  The sense of beauty is related to nature which is embedded into our conscience and mainly we learn from our life time environment around us. The beauty is always relative yet we have common ground that we would agree ‘it is good’. The architectural beauty is not different from it. It is like native ingredient that would never be found in other places.  It is a native plant grown in the region. Thus, it is our history that is connected to cultural & surrounding environment. Likewise, the beauty we seek will ultimately bring mutual understanding of past and future. Its interpretation enhances the existing context. It is to make the memory of the past and the current culture into the city.  The perception and recognition from ones’ experience will relate to the beauty of the new architecture. Hence past is evolved to bring newness to present. At result, we believe our architectural design will FIND THE VALUE OF WHAT LIES IN OUR SURROUNDINGS THAT ENRICH OUR LIVES.  Our design will evolve. It will be easily mingled into existings yet creating the newness as the old has been evolved. Our understanding of environment is to know more about people and their lives. Furthermore, making an effort to find contextual beaty in desinging will ultimately bring suitable outcome to benifit us.  Our Design service includes interiors for office, coffee shop, general restaurant, office & hotel lobby, shopping mall interior and for architectural works, library, office tower, airport, hotel, museum, church, master planning, residential/apartment tower, house etc.  大愛建築設計事務所, 建築設計, 商场設計, 裝修設計, 室內設計, 辦公室設計, 住宅公寓設計,饭店設計, 圖書館設計, 博物館設計
What is TheeAe?                                                                                                                                                                                                                      TheeAe is abbreviation of the evolved architectural eclectic. Its name is an idea and dedication to create contextual architecture. Hence, our goal has been always the idea to bring newness from the past that will bring comfort and freshness. Beauty is a characteristic of an animal, idea, object, person or place that provides a perceptual experience of pleasure or satisfaction. Beauty is studied as part of aesthetics, culture, social psychology and sociology. An "ideal beauty" is an entity which is admired, or possesses features widely attributed to beauty in a particular culture, for perfection. The experience of "beauty" often involves an interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. Because this can be a subjective experience, it is often said that "beauty is in the eye of the beholder. There is evidence that perceptions of beauty are evolutionarily determined, that things, aspects of people and landscapes considered beautiful are typically found in situations likely to give enhanced survival of the perceiving human's genes The sense of beauty is related to nature which is embedded into our conscience and mainly we learn from our life time environment around us. The beauty is always relative yet we have common ground that we would agree ‘it is good’. The architectural beauty is not different from it. It is like native ingredient that would never be found in other places. It is a native plant grown in the region.  Furthermore, it is our history that is connected to cultural & surrounding environment.   ……………… Likewise, the beauty we seek will ultimately bring mutual understanding of past and future.  Its interpretation enhances the existing context. It is to make the memory of the past and the current culture into the city. The perception and recognition from ones’ experience will relate to the beauty of the new architecture Hence past is evolved to bring newness to present.
What is Eclectic? THE CONCEPT OF A BEAUTIFUL ENVIRONMENT ENCOMPASSES NUMEROUS FACTORS.   People try to develop these environments in cities based on theories of what used to be, what is, and what is to come. They see the city for what it was and for what it is. They become accustomed to the city as it exists in the present moment. They rarely argue about why the city looks the way it does, nor do they complain. They struggle to make their livings.  They just pass by the buildings when they are heading home without really noticing them. When they are home and free to enjoy themselves, they want to share their lives happily with friends, not talk about architecture. HOWEVER, the lives shared by architects with each other is another matter. The nondescript nature of most cityscapes is not what architects desire, but just the opposite. There is joy in what one creates, however much it may be ignored by passersby.  “No one is more surprised by, or feels greater joy of discovery in the building that is erected,” Tadao says, “ than the architects. ” Architects want people to understand their buildings. They want to design something new, something different from the old, from the past. They want to test their theories about what might be good for people. Whether radical or conservative, for the sake of better cities and better architecture, better culture and better art, architects desire to make our cities more livable, by means of modern technology, and sometimes in spite of it. WITH TECHNOLOGY, THERE HAVE BEEN BOTH GOOD AND BAD OUTCOMES. When engineers developed the elevator, for example, architects could then design taller and taller buildings, high-rises, skyscrapers. This was convenient, especially in cities where land was especially scarce, but it produced some ill-effects as well:  people rode the elevators, got fat, developed pulmonary and heart diseases, and died before their time. THE USE of concrete and steel allows us to create broad and high spaces, but when we want to rebuild, we are faced with a whole new set of considerations: the huge amounts of trash and debris left behind after destroying them. Always, we are trying to do the right thing and make something that is good, but no one knows really and definitively what it means to be really right or good. THE CITY, it describes, with its courtyards and infinite number of small, airy, well-lit rooms, has already a beauty of its own. Even if it seems to be old, it sees the beauty of the past. Even though it seems to be too radical, it understands the beauty of the future. PEOPLE CREATES THEIR OWN CULTURE. They create their life in architecture beyond architects’ expectation about how the space might be used. But when we design a new building involving new physical shapes and materials defining new boundaries that color and shape people’s behavior, these people need to have time to adjust to the new architecture. The boundaries I have in mind are not only physical boundaries-buildings, streets, rooms, walls, bridges, etc. but emotional boundaries as well. WHEN for political reasons, or reasons that have to do with the security of the state, or even the safety of the individual in areas of criminal activity, curfews prohibit access to the larger world, even within the warm and friendly confines of one’s own house, one feels that the boundaries are quite overpowering and intimidating.  When a boundary of space is created, whether physical or emotional, people need time to accustom themselves to the boundary and become a part of it. Then the space becomes our tradition or memory. IN a relative way, memory of the space would define the quality of space as people would get their story of life through urban and architecture. The eclectic space is impartial. It respects their memories, emotions and habits. ‘The evolved Architectural eclectic’ would pursue the eclectic space through means of metamorphic boundaries for people to experience the variable spaces experiencing their lives to tell the present with their intact memory in the past.   
At result, we believe our architectural design will FIND THE VALUE OF WHAT LIES IN OUR SURROUNDINGS THAT ENRICH OUR LIVES. Our design will evolve. It will be easily mingled into existings yet creating the newness as the old has been evolved.  Our understanding of environment is to know more about people and their lives. Furthermore, making an effort to find contextual beaty in desinging will ultimately bring suitable outcome to benifit us.
THE CREATIVITY IS THE ABILITY TO INTRODUCE ORDER INTO THE RANDOMNESS OF NATURE  - PHILOSOPHER ERIC HOFFER
© 2017 TheeAe LTD. All rights reserved.
We are Architectural & Interior Design Firm in Hong Kong. TheeAe is abbreviation of the evolved architectural eclectic. Its name is an idea and dedication to create contextual architecture. Hence, our goal has been always the idea to bring newness from the past that will bring comfort and freshness.  The sense of beauty is related to nature which is embedded into our conscience and mainly we learn from our life time environment around us. The beauty is always relative yet we have common ground that we would agree ‘it is good’. The architectural beauty is not different from it. It is like native ingredient that would never be found in other places.  It is a native plant grown in the region. Thus, it is our history that is connected to cultural & surrounding environment. Likewise, the beauty we seek will ultimately bring mutual understanding of past and future. Its interpretation enhances the existing context. It is to make the memory of the past and the current culture into the city.  The perception and recognition from ones’ experience will relate to the beauty of the new architecture. Hence past is evolved to bring newness to present. At result, we believe our architectural design will FIND THE VALUE OF WHAT LIES IN OUR SURROUNDINGS THAT ENRICH OUR LIVES.  Our design will evolve. It will be easily mingled into existings yet creating the newness as the old has been evolved. Our understanding of environment is to know more about people and their lives. Furthermore, making an effort to find contextual beaty in desinging will ultimately bring suitable outcome to benifit us.  Our Design service includes interiors for office, coffee shop, general restaurant, office & hotel lobby, shopping mall interior and for architectural works, library, office tower, airport, hotel, museum, church, master planning, residential/apartment tower, house etc.  大愛建築設計事務所, 建築設計, 商场設計, 裝修設計, 室內設計, 辦公室設計, 住宅公寓設計,饭店設計, 圖書館設計, 博物館設計
What is TheeAe?                                                                                                                                                                                                                      TheeAe is abbreviation of the evolved architectural eclectic. Its name is an idea and dedication to create contextual architecture. Hence, our goal has been always the idea to bring newness from the past that will bring comfort and freshness. Beauty is a characteristic of an animal, idea, object, person or place that provides a perceptual experience of pleasure or satisfaction. Beauty is studied as part of aesthetics, culture, social psychology and sociology. An "ideal beauty" is an entity which is admired, or possesses features widely attributed to beauty in a particular culture, for perfection. The experience of "beauty" often involves an interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. Because this can be a subjective experience, it is often said that "beauty is in the eye of the beholder. There is evidence that perceptions of beauty are evolutionarily determined, that things, aspects of people and landscapes considered beautiful are typically found in situations likely to give enhanced survival of the perceiving human's genes The sense of beauty is related to nature which is embedded into our conscience and mainly we learn from our life time environment around us. The beauty is always relative yet we have common ground that we would agree ‘it is good’. The architectural beauty is not different from it. It is like native ingredient that would never be found in other places. It is a native plant grown in the region.  Furthermore, it is our history that is connected to cultural & surrounding environment.   ……………… Likewise, the beauty we seek will ultimately bring mutual understanding of past and future.  Its interpretation enhances the existing context. It is to make the memory of the past and the current culture into the city. The perception and recognition from ones’ experience will relate to the beauty of the new architecture Hence past is evolved to bring newness to present.
What is Eclectic? THE CONCEPT OF A BEAUTIFUL ENVIRONMENT ENCOMPASSES NUMEROUS FACTORS.   People try to develop these environments in cities based on theories of what used to be, what is, and what is to come. They see the city for what it was and for what it is. They become accustomed to the city as it exists in the present moment. They rarely argue about why the city looks the way it does, nor do they complain. They struggle to make their livings.  They just pass by the buildings when they are heading home without really noticing them. When they are home and free to enjoy themselves, they want to share their lives happily with friends, not talk about architecture. HOWEVER, the lives shared by architects with each other is another matter. The nondescript nature of most cityscapes is not what architects desire, but just the opposite. There is joy in what one creates, however much it may be ignored by passersby.  “No one is more surprised by, or feels greater joy of discovery in the building that is erected,” Tadao says, “ than the architects. ” Architects want people to understand their buildings. They want to design something new, something different from the old, from the past. They want to test their theories about what might be good for people. Whether radical or conservative, for the sake of better cities and better architecture, better culture and better art, architects desire to make our cities more livable, by means of modern technology, and sometimes in spite of it. WITH TECHNOLOGY, THERE HAVE BEEN BOTH GOOD AND BAD OUTCOMES. When engineers developed the elevator, for example, architects could then design taller and taller buildings, high-rises, skyscrapers. This was convenient, especially in cities where land was especially scarce, but it produced some ill-effects as well:  people rode the elevators, got fat, developed pulmonary and heart diseases, and died before their time. THE USE of concrete and steel allows us to create broad and high spaces, but when we want to rebuild, we are faced with a whole new set of considerations: the huge amounts of trash and debris left behind after destroying them. Always, we are trying to do the right thing and make something that is good, but no one knows really and definitively what it means to be really right or good. THE CITY, it describes, with its courtyards and infinite number of small, airy, well-lit rooms, has already a beauty of its own. Even if it seems to be old, it sees the beauty of the past. Even though it seems to be too radical, it understands the beauty of the future. PEOPLE CREATES THEIR OWN CULTURE. They create their life in architecture beyond architects’ expectation about how the space might be used. But when we design a new building involving new physical shapes and materials defining new boundaries that color and shape people’s behavior, these people need to have time to adjust to the new architecture. The boundaries I have in mind are not only physical boundaries-buildings, streets, rooms, walls, bridges, etc. but emotional boundaries as well. WHEN for political reasons, or reasons that have to do with the security of the state, or even the safety of the individual in areas of criminal activity, curfews prohibit access to the larger world, even within the warm and friendly confines of one’s own house, one feels that the boundaries are quite overpowering and intimidating.  When a boundary of space is created, whether physical or emotional, people need time to accustom themselves to the boundary and become a part of it. Then the space becomes our tradition or memory. IN a relative way, memory of the space would define the quality of space as people would get their story of life through urban and architecture. The eclectic space is impartial. It respects their memories, emotions and habits. ‘The evolved Architectural eclectic’ would pursue the eclectic space through means of metamorphic boundaries for people to experience the variable spaces experiencing their lives to tell the present with their intact memory in the past.   
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